Amore vincit omnia
thedisputed:


I saw this when I was walking home, and it just made me sad.

This hits hard.

fuck

thedisputed:


I saw this when I was walking home, and it just made me sad.

This hits hard.

fuck

(Source: nebygatica, via this--too--shall--pass)

jackviolet:

One of the things that is really notable about Moscow and yet not many people outside Russia know about, is how gorgeous the Moscow metro is.

These photos? That’s what the metro stations look like.

Yeah.

They’re called the “People’s palaces of Moscow” or else “Underground palaces,” and they were built during the Soviet era on the Communist idea that art and beauty should belong to the people rather than only being available in the houses of nobles.

These photos show just some of the metro’s attractions. There are many more mosaics, statues, etc, placed throughout.

And the metro is always this clean.

In addition to being beautiful, it is incredibly functional. It gets you pretty much everywhere in Moscow, and the trains run at intervals of every three minutes or less. At peak times, they run every 90 seconds. You never have to worry about missing a train, because the next one will come almost immediately.

Not always of course. In the late evening or early morning hours, you may have to wait as long as five whole minutes for a train. They’re also super easy to navigate.

We Russians are pretty proud of our metro system.

(via whatslifewithoutimagination)

theenergyissue:

Olafur Eliasson’s “Riverbed” Converts a Museum into a Natural Landscape

Danish-Icelandic artist Olafur Eliasson, known for his large-scale installations employing elemental materials like light, water, earth, and even atmosphere, transformed an entire wing of Denmark’s Louisiana Museum of Modern Art into a riverbed for his first solo exhibition. The work, which uses rocks, soil, and running water to precisely emulate a natural landscape, stands in stark contrast to the white walls of one of Denmark’s most important Modernist buildings. Originally designed in 1958 by architects Jørgen Bo and Wilhlem Wohlert, the Louisiana’s staggered, irregularly sized portals create an experience that highlights movement through space. By filling the Louisiana with a landscape its galleries might have replaced, Eliasson heightens the haptic qualities of this experience and points to the reality of the museum as an institution and a physical locality. The work raises the question of how natural and built environments might intersect, though it is up to the viewer to decide whether this tension is constructive or destructive.

(Source: dezeen.com, via wnder)

subtxts:

who is john. why is he locked. free him .

(via reichenfeels)


(Source: knoeiboel, via wnder)

Don’t you dare
Shrink yourself
For someone else’s comfort -
Do not become small
For people who refuse to grow.
Advice To My Future Daughter  (via nofatnowhip)

(Source: findingwordsforthoughts, via wnder)

I’m always soft for you, that’s the problem. You could come knocking on my door five years from now and I would open my arms wider and say ‘come here, it’s been too long, it felt like home with you.’
Azra.T “My Heart is Full of Open Windows.” (via 5000letters)

(via courtizzzle)

I’m scared because what if no one makes me feel the way you did.
3amsecret (via perfect)

(via flowersunnies)

ifyoucarryonthisway:

the fact that a girl being a feminist is a turn off to a lot of guys is just further proof that sexism exists they’re literally saying they don’t want a girl who requires respect because that’s just no fun 

(Source: averagefairy, via whatslifewithoutimagination)


(Source: yanapieceofme, via wnder)

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